Emergency Preservation; Fayez Nahri Artworks Collection and Archive

The project concerns the surviving studio collection and archive of Syrian sculptor and teacher Fayez Nahri in Damascus. The material includes approximately 30 sculptures, together with a significant amount of paper material, including photographs, magazines, books, sketches, and other studio material.

The collection was taken into the care of two former students of Nahri with the consent of his family. The first documentation of Nahri’s studio material was preliminary:

  • the sculptures and moulds were photographed;
  • approximate measurements were taken;
  • the works were soft-packed;
  • the sculptures, moulds, and associated studio material were transferred to secure storage;
  • shelving was built in the storage space, located in a private apartment.
 

2. Phase

  • build secure professional crates for all sculptures and moulds for preservation;
  • produce a preservation-surrogate corpus of the sculptures and moulds;
  • professional second production of crates for the second corpus and transporting it to secure storage in Vienna while the original works and archive remain in Syria
 

3. Phase

  • complete the documentation and technical assessment of the collection, including high-resolution scanning of paper and photographic material, and establish both a paper and digital archive;
  • conduct research into other sculptures and artworks by the artist based on the available material and in collaboration with Syrian and international art professionals and institutions.
 

This project is intended as the basis for a permanent collection and archive dedicated to the preservation, study, and documentation of Nahri’s work and its related cultural significance. It should provide the foundation for a future institutional structure focused on safeguarding this cultural corpus and on researching Fayez Nahri’s position as what we consider one of the most distinctive and important Arab sculptors of the twentieth and early twenty-first centuries.

 



Fayez Nahri occupied a distinct position within modern Syrian sculpture through his sustained work in portraiture. His portraits form a record of the artistic and intellectual milieu of his generation, including writers, painters and musicians. Published sources identify portraits of Mohammad al-Maghout, Fateh Moudarres, Nassir Shura and Azmi Moraly; al-Maghout himself referred in an interview to the portrait bust Nahri had made and given to him.
The project also records other works, including a portrait of composer Safwan Bahlawan, while the locations of many portraits remain unknown and require further research. العربي الجديد

Nahri's studio in Damascus also functioned as an independent place of instruction for art students. as one of the private workshops that attracted students alongside formal art-school education.

The historical relevance of the collection therefore extends beyond the surviving objects. It documents both Nahri's portrait practice and the role of his studio within an informal network of artistic education in Damascus. Former students recall the studio as a place for extended discussion of sculpture and art, including Nahri's critical views on artistic practice and cultural conditions in the Arab world. A systematic study of the surviving sculptures, photographs, press material and other studio documents may clarify the extent of his portrait oeuvre, identify additional sitters and establish more precisely his position within twentieth- and early twenty-first-century Syrian sculpture. Atassi

Samples of studio material

preliminary Documentation of sculptuers and moulds:

Azmi Moraly Portrait

Undated. Plaster, 60 cm high

The most iconic known work in Fayez Nahri’s oeuvre is his portrait of the Syrian Francophone poet and writer Azmi Moraly. Moraly wrote primarily in French and belonged to a generation of Syrian intellectuals closely engaged with European literary and philosophical culture.

Unknown Portrait 1

Undated. Plaster, 55 cm high

Unknown Portrait 2

Undated. Plaster, 45 cm high

Unknown portrait 3

Clay, unknown date

Diploma Project: The Fishermen

Plaster reliefs, positive cast

Reliefs / Medallions

Undated. Plaster. Positive and negative casts.

Sorrows of the Refugee-Camp Child 1

Undated. Plaster

Sorrows of the Refugee-Camp Child 2

Undated. Plaster

Femal figure

Undated. Plaster cast

The family

plaster, 90 cm high

Studio Collection Recovery

Damascus, May 2025

the team

Wissam Muases
Syrian multidisciplinary artist and specialist in community-led innovation and development; former student of Fayez Nahri.
Based between Damascus and Italy, Wissam graduated from the Faculty of Fine Arts in Damascus in 2003, specializing in sculpture. His work focuses on art, environmental practice, and sustainable design, alongside extensive experience in emergency and humanitarian contexts in Syria, Lebanon, and Bangladesh.
qasab.art
wissam-muases.com

Sami Ajouri
Syrian visual artist and photographer based in Vienna, trained in sculpture in Damascus and later in printmaking at the Academy of Fine Arts Vienna.
Former student of Fayez Nahri, with five years of experience in art handling and art storage in Vienna; currently employed at Kunsttrans.
His artistic practice combines visual art, photography, videography, and painting.
sami-ajouri.com

The project aims to involve local recent graduates of the Faculty of Fine Arts in Damascus in its development, including research, mould-making, casting, documentation, and archiving, working alongside local specialists in restoration and casting.